Der Rabe und das Geld | Eine New Yorker Ausstellung feiert das Leben Edgar Allan Poes. Vorgestellt von Hannes Stein bei der Welt.
»As part of Terror of the Soul, The Morgan has booked a spectacular program of events that run through January 16, 2014. It includes screenings of Murders in the Rue Morgue (1932) and House of Usher (1960), several gallery talks and guided tours, a performance by Elevator Repair Service, a reading by Robert Pinsky, and a discussion with Paul Auster. One of the events in the program won’t happen, after all. Lou Reed was scheduled to appear on November 5. He died too soon. Reed’s 2003 album The Raven adopted several of Poe’s tales and poems. His voice on these tracks has a dark jitteriness that seems just right. I can’t say why, exactly, but when I was standing in the library, looking at the Poe relics and thinking about Lou Reed, I kept hearing an earlier lyric, again and again: «It’s hard to live in the city.»«
Poe in Hard Times: Caleb Smith about the exhibition Edgar Allan Poe: Terror of the Soul at The Morgan Library & Museum in New York. His review at Los Angeles Review of Books.
»By comparing an unknown text to a group of known texts, the program can then rank the known authors by similarity. The Cuckoo’s Calling, for instance, was compared with work by Rowling, Ruth Rendell, P. D. James, and Val McDermid. While Rowling didn’t score No. 1 on every test—McDermid did well on some measures—Rowling had a high rank consistently across different measures. Once confronted, she confessed.
Could it work for Poe, too?«
Technology: Paul Collins about the Java Graphical Author Attribution Program (JGAAP), two poems of Edgar Allan Poe and his „hidden“ older brother Henry. A fine essay on the obscure corner of Poe studies – at The New Yorker.