»This is not a handbook for murderers, but a study of the licence to thrill. As its subtitle suggests, it tells «the story of a national obsession»: how, over the past two centuries, the British have reacted to the changing circumstances of murder and developed it into a form of entertainment.«
Andrew Lycett enjoys a lively account of the British fascination with murder most horrid. He reviews the book A Very British Murder: The Story of a National Obsession by Lucy Worsley. Read more at The Telegraph.
»Lycett helpfully places Collins’s mainstream interests – including private asylums and the marriage laws – in context, and gives proper attention to some of his more personal quirks, such as a suspicion of shaving and a strong dislike of the countryside.«
The eccentric novelist Wilkie Collins knew the power of secrets, as the new biography Wilkie Collins: A Life of Sensation by Andrew Lycett reveals. Read the review by Robert Douglas-Fairhurst at The Telegraph.
»Having read Lycett we understand more fully the complex relationship between the writers, and how they played off each other. Dickens, for example, hailed the moment in The Woman in White in which the hero first sees the spectral lady on night-time Hampstead Heath as ‘the second best scene in literature’. He didn’t say what the best was but, odds are, it was his recycling of Collins in the opening, graveyard, scene of Great Expectations. He also trumped Wilkie’s mad woman in white with his own mad woman in bridal white, Miss Havisham.«
A terrific narrator: John Sutherland reviews the new biography Wilkie Collins: A Life of Sensation by Andrew Lycett. Read more at The Spectator.